Becoming an Author – Part 2: Criticism: The Good, The Bad, The Ugly, and The Worthless
One of the not so happy aspects of being a writer is that everyone who has ever read a book has advice for you. Here are some of my thoughts on the types of advice I’ve received.
Good criticism comes from someone who is knowledgeable about writing and editing. It can be about one line, one chapter or an entire book. It consists of specific suggestions that improve my writing. That means a suggestion that mentions a specific problem and a solution that would correct that problem. I’ve written what I think are some excellent chapters for my books but when someone else reads them, they realize that they don’t help move my story along. When you’re busy in your role as a wordsmith, sometimes it is hard to see the forest for the trees. Good criticism can also come from someone who enjoys your genre, and is a potential reader of your efforts. This usually isn’t as specific but may help guide your story to your intended audience.
How many times have we been told that someone has an idea for the world’s greatest piece of literature but just hasn’t gotten around to writing it? Why do these people then give us their idea of sage advice on how to improve and what we should be writing? At least half of these people have trouble speaking in complete sentences let alone communicate a coherent thought. I smile and listen patiently to these well intentioned mental litterbugs. When I was in my career as a mathematician, I didn’t run into these types of people but now that I’m writing they seem to be coming out of the woodwork.
As soon as criticism becomes personal attacks, it’s time to excuse yourself and walk away. I sent a manuscript to an editor who must have been awfully angry with the world because he attacked everything short of my manhood in describing the problems with my manuscript. And I paid big money for his insults. I don’t mind negative critiques that I can learn from; but angry rants have no value.
When someone says my novel was cute, sweet, or nice, I find they didn’t like it but don’t want to tell me why.
The best critique I have received from my readers:
“You write female characters better than most of the authors I have ever read.”
“It brought tears to my eyes when she lost her parents.”
“This is one book I will keep.”
Each of these indicates my success with my most important critics; my readers.
What do you find helpful in critiques? What has been your best and worst advice from readers?